Bondi Torches Dem Over Epstein Flight Log Release: ‘Did You Take Money?’
Attorney General Pam Bondi obliterated Illinois Democratic Sen. Dick Durbin over the Jeffrey Epstein files.
During a Senate Judiciary Hearing on Tuesday, Tennessee Republican Sen. Marsha Blackburn was brought up because she has pushed for the release of Epstein files in the past.
Bondi and Blackburn asserted that Durbin was impeding the effort, but Durbin refuted this, despite records indicating he had indeed blocked the release.
Blackburn and Bondi tag-teamed Durbin after he denied a subpoena for the flight logs and knowing Reid Hoffman, a known Epstein affiliate.
“I find it very interesting that you refused repeated Republican requests to release the Epstein flight log in 2023 and 2024, you fought that. Did you take money from Reid Hoffman campaign donations?” Bondi said.
Durbin denied taking donations from Hoffman, but Hoffman has given millions to the Democratic Senatorial Campaign Committee (DSCC), which supports Durbin as a top Senate Democrat.
Bondi shot back: “Why did you fight to not disclose the flight logs, Senator Durbin?”
Durbin falsely claimed that he “did not” fight against” Blackburn’s subpoena, adding, “I asked you if you wanted any documents like flight logs to put it in writing. You never did.”
Blackburn shot back: “Yes, sir, I did. And your staff knows that I did. We’ll submit once again, the information to you. We’ve done that several times, but we’ll be happy to once again send it to you. I think your staff doesn’t show that to you.”
WATCH:
Bondi made it clear with her opening statement that she planned to correct many lies from Democrats in recent weeks.
“They are a critical reminder of our central mission here at the Department of Justice protecting the safety and security of the American people. That is why, even when the government is otherwise shut down because of the Democrats, the department’s law enforcement officers and prosecutors are hard at work, fighting crime, keeping our streets safe and protecting you from the threats, foreign and domestic. When I was confirmed as the 80 seventh attorney general of the United States, I took office with to mangles to in the weapon, is nation of justice and return the department to it’s core mission of fighting violent crime as to ending the weapon possession of justice. We learn that former FBI secretly investigated you and your colleagues why they wanted to take president,” Bondi began.
“Trump off the playing field. They were playing politics with law enforcement powers and will go down as a historic. The trail of public trust, this is the kind of conduct that shatters the American people’s faith in our law enforcement system. We will work to earn that back every single day,” she added.
“We are returning to our core mission of fighting real crime. While there is more work to do, I believe in eight short months we have made tremendous progress towards those ends. Our federal surges in Washington D.C. in memphis are a perfect example of how the Department of Justice should operate week created strong partnerships with local leadership working hand in hand with both cities to send resources where they were needed. Most, the results speak for themselves,” she added.
“Despite the unprecedented degree of activism we’ve seen from the lower courts, we have never ignored a court order and why would we we have secured a historic 20 two victories at the Supreme Court alone with more to come,. Our civil rights attorneys are fighting discrimination and anti Semitism. Our criminal attorneys are prosecuting violent criminals and foreign terrorist every single day. I look forward to continuing this work at the Department of Justice and I look forward to testifying before you today,” Bondi added.
The Mafia Boss Froze When His Paralyzed Daughter Ran to a Waitress—Then a Three-Year-Old Voicemail Revealed Why the Woman Who Saved Her Had Been Kept Away
His daughter stood.
I dropped the silver tray.
Then she repeated the promise no one else knew.
The first sound was not applause.
It was the hard metallic snap of Sophia Moretti’s wheelchair brake releasing beneath her small hand.
Rain pressed against the thirty-foot windows of the Harbor Lights Grand Hotel, turning Chicago into a blur of black water and yellow traffic beneath the ballroom. Crystal chandeliers burned above four hundred guests. A string quartet played near the silent-auction tables. The air smelled of champagne, white roses, polished marble, and the truffle butter the kitchen had used too generously on the first course.
I stood near the edge of the dance floor carrying twelve champagne flutes on a silver tray.
Across the room, seven-year-old Sophia pushed against the arms of her pink wheelchair.
Her knees straightened.
The music stopped one instrument at a time.
A violinist dragged his bow across the same note before silence finally took it.
Sophia stood.
Not steadily.
Not beautifully.
Her legs shook so hard that the satin skirt of her pale blue dress trembled around them. Her left knee turned inward. Her shoulders rose with the effort of holding herself upright.
What the ballroom called a miracle looked, from twelve yards away, like a child trying not to fall.
Her father did not move.
Luca Moretti was on his feet beside the head table, but he might as well have been carved into the marble behind him. One hand remained around the stem of his untouched wineglass. His black tuxedo fit him with the clean severity of a uniform. His face—usually unreadable enough to quiet rooms without effort—had gone empty.
“Sophia.”
His voice barely reached her.
She did not look at him.
Dr. Clare Benton, the physical therapist seated two places away, pushed back her chair.
“Sophia, wait. Let me help you.”
Sophia slapped away the first hand that reached her.
Then she took one step.
Her ankle rolled.
A bodyguard moved forward.
She hissed, “No.”
The word was small.
The command inside it was not.
She took another step.
Guests began applauding because wealthy people are often frightened by silence and mistake noise for help.
Sophia’s attention remained fixed on me.
The tray grew heavier in my hands.
I had spent three years avoiding her eyes.
Three years serving this foundation gala through two catering companies and one hotel promotion, always arranging my route so I never passed too close to the Moretti table.
Three years telling myself that the child in the wheelchair only resembled the little girl I had pulled from the Chicago River.
Then Sophia looked directly at me.
The ballroom disappeared.
I saw a crushed black sedan tipped sideways beneath freezing water.
A child’s fingers clawing at a jammed seat belt.
A blue wool coat filling with river water.
My own hands bleeding against broken glass.
I heard the song I had sung because I could think of nothing else while we waited in the dark for rescue boats.
Sophia took a third step.
Then a fourth.
Her body pitched forward.
The silver tray slipped from my hands.
Crystal shattered across the floor.
“No,” I whispered.
Sophia’s steps became faster.
What the guests later described as running was six uneven, desperate movements made by a child whose muscles had been trained for years but whose body had never trusted the training long enough to use it outside therapy.
Her right foot dragged.
Her left knee buckled.
She came toward me anyway.
I dropped to the floor before she reached the broken glass.
She fell into my arms.
The impact drove both knees against the marble.
Pain shot up my thighs, but I barely felt it.
Sophia’s arms locked around my neck.
Her face pressed against my shoulder.
Her whole body shook.
“You kept your promise,” she sobbed.
The words crossed the silent ballroom.
Luca’s wineglass fell.
It struck the edge of the table, broke, and poured red wine across the white cloth.
I held Sophia more tightly.
“I tried,” I whispered into her hair. “Sweetheart, I tried to find you.”
Her fingers twisted into the back of my uniform.
“I knew you would.”
Footsteps approached.
Measured at first.
Then not.
Luca stopped beside us.
His polished shoes stood among pieces of crystal and spilled champagne. When I looked up, the most feared man in Chicago was crying without seeming to know it.
Not dramatically.
No broken sound.
Only tears moving down a face that had spent years learning not to reveal what could be used against him.
“Sophia,” he said.
She turned in my arms.
“Daddy, it’s her.”
Luca lowered himself to one knee.
“Who?”
“The lady from the water.”
His eyes came to mine.
Dark.
Stunned.
Dangerous because he had not yet decided which emotion would survive the shock.
“Who are you?”
“My name is Hannah Carter.”
“You know my daughter.”
“I saved her from Ashwood Bridge.”
Dr. Benton reached us and crouched beside Sophia.
“We need to get her seated.”
“I’m fine,” Sophia insisted.
“You just crossed a ballroom on muscles that will file complaints tomorrow.”
Sophia tightened her grip around me.
“I’m not leaving her.”
“You don’t have to,” I said.
I looked at Dr. Benton.
“Can we move her without lifting under the arms?”
The therapist’s gaze sharpened.
“Yes. Support behind the knees and upper back.”
Together, we lifted Sophia onto a banquet chair while a hotel supervisor cleared the broken glass. She refused her wheelchair.
Luca stayed kneeling.
His attention had not left my face.
“You said you tried to find her.”
“Yes.”
“How?”
“I called the hospitals. Then your foundation. I wrote twice after the public appeal.”
“I never received anything.”
“I received an answer.”
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